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jules vince

Marvin and the miracle

September 23, 2011 @ 8:00 am in Subscript, Tarantino
In the second half of Pulp Fiction we find out why Vincent and Jules are dressed in shorts and t-shirts looking like “dorks.” In the start of the movie we witness Jules and Vincent kill Brett and his friend “Flock of Seagulls” for withholding Marsellus Wallace’s briefcase. We never really learn what is in the magical briefcase or what deal Brett and Marsellus had, but we do know that Vincent and Jules were ordered to kill Brett and retrieve the briefcase.
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walken

Lancet

September 21, 2011 @ 9:00 am in Subscript, Tarantino
In the seminal work of Quentin Tarantino that featured explosive violence, magnificent characters, and unforgettable dialogue amid three different yet interconnected stories told brilliantly out of sequence, one scene stood out above all others. Pulp Fiction’s ultimate non sequitur: the story of the watch
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Vincent Vega Pulp Fiction car

Fruit brute: what year is it?

September 20, 2011 @ 10:01 am in Subscript, Tarantino
In 1994 Americans were focused on the passing of Kurt Cobain, Jackie Onassis, Richard Nixon, Nicole Brown Simpson and Ronald Goldman and those lost in the Northridge earthquake. Fortunately, later that year Quentin Tarantino served up a delicious distraction from these events…the watershed film Pulp Fiction. Pulp Fiction is one of the finest examples of postmodernist film. According to Quentin his inspiration for this masterpiece was to draw upon a mix of French new wave, spaghetti westerns and blaxploitation movies from the '70s all mixed up together.
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willis

The Tarantino case studies in negotiation

September 19, 2011 @ 8:00 am in Subscript, Tarantino
To look for lessons on how to relate with others in a film so well-punctuated by gunfire of all gauges may seem futile. But Pulp Fiction, for all of its violence and darkness, seems to—amidst the carnage—offer viewers something quite unexpected: a crash course in negotiation.
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pulp 2

Making spoons

September 18, 2011 @ 8:00 am in Subscript, Tarantino
When I think of a favorite scene from Pulp Fiction, about a dozen images come to mind: the red spot on Mia’s chest, Vincent’s Santa Cruz t-shirt, the glowing briefcase, the list goes on. But the scene I think perfectly encapsulates the movie is what I believe to be the most intimate scene of the movie, when Butch (Bruce Willis) returns from his boxing match to the motel where his girlfriend Fabienne (Maria de Medeiros) awaits him.
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julesv

Royale with cheese

September 17, 2011 @ 8:00 am in Subscript, Tarantino
One of the most iconic and memorable scenes Quentin Tarantino draws for us in Pulp Fiction is the “Royale with Cheese” scene. Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are two lovable hitmen who work for a crime boss named Marsellus. As they go about their hitmen duties, they chat nonchalantly about inconsequential topics, much as two office workers would around the water cooler, and that’s how Vince comes to explain a few key differences between Europe and America to Jules.
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bruce con

Goes to show you never can tell

September 16, 2011 @ 8:13 am in Subscript, Tarantino
My favorite moment from Pulp Fiction is the confrontation between Butch Coolidge (Bruce Willis) and Vincent Vega (John Travolta). Director Quentin Tarantino creates for us a scene that thrills while incorporating classic elements: the departing hero on the cusp of his exit from danger, dragged back to perform one last task that may lead to his demise as safety waits around the corner.
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uma

$5 milkshake

September 15, 2011 @ 8:00 am in Subscript, Tarantino
Pulp Fiction is a film of many worlds: from the bathrobe-and-pajama-attired living rooms of low-level drug dealers to the intercom-equipped love nest of Marsellus and Mia Wallace.
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Screen Shot 2012-04-11 at 8.03.13 PM

Mr. Winston Wolfe

September 14, 2011 @ 8:00 am in Subscript, Tarantino
Much is made of the profanity, violence, and criminal subject matter of Tarantino’s films. Less often discussed is why we still care about what are, at face value, terrible people doing terrible things. It’s because of Tarantino’s genius for creating characters we gravitate towards – characters that, aside from their criminal tendencies, are like people [...]
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Screen Shot 2012-04-11 at 8.06.52 PM

Pulp Fiction: T-minus 500

September 13, 2011 @ 2:50 am in Subscript, Tarantino
At its most basic level, it was an homage to about a million movies of the 1970s. But in 1994, Pulp Fiction single-handedly reset the approach to moviemaking. The fantastic script of interweaving story lines is exhilarating: brutal, riveting, hilarious, and frequently sweet. The performances of every character, however minor, are simply superb. Tarantino’s direction [...]
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