Many 'content creators' consider themselves artists. But in a world where that title is quickly becoming overused, perhaps there needs to be a distinction. Artists need to release their deepest desires, passions, stories, and views on life into the physical world. A true artist listens to their inner voice and waits patiently to translate it to paper, canvas, dance, video, film so that it can live, breathe and resonate truthfully with others.
Content creators are everywhere - it's you on Facebook, Instagram, Tumblr - it's why YouTube is one of the top search engines online. You are making more cat videos. You are taking, making and sharing more Buzzfeed quizzes. You are turning your 2-year-old into an online super sensation singing 'Let It Go' for the millionth time and Jimmy Fallon videos are keeping you from getting any work done ever again. The amount of work being produced and delivered to you instantly via social media and on a multitude of digital platforms can be quite overwhelming. That's why it's so important for the audience to explore content that is not only entertaining but also thought provoking and once in awhile, let the non-meaningful slip away.
So pause. Take a deep breath. Think about being more selective whether you are the audience, the creator or the artist. Find stories that speak to you - it could be life-changing. Today's Guest Blogger is an artist that is taking his time to find his voice and tell stories that are meaningful for himself, his family, his friends and for you. We are very happy to introduce you to actor, writer, director, producer...artist, Sanjit De Silva.
by Sanjit De Silva
Pulp Fiction. Dead Man. Flirting With Disaster. Ararat. If I ever make a film as good as any of these, I can die a happy man. Someone once told me there is no such thing as a new story. That all stories are old stories and what separates one film from another is not the story itself, but how the story is told. That is what defines the great filmmaker. His/her ability to take a story we've already seen and present it anew. From a new perspective. A singular vision. All the films I mentioned above have done that for me.
So when I decided last year to sit down and write my short film, Time After, I had to ask myself: Why am I telling this story? What makes this story different from the hundreds of other ways it has been told before? The questions were daunting, and made the blank page seem a thousand yards wide. But as I thought about the filmmakers that inspire me: Tarantino, Jarmusch, O. Russell, Egoyan, I thought, these artists create from a place of need, a place of personal desire to express a vision of the world as they see it. That's why they are for me the quintessential writer/director role models.
Pulp FictionThe Gold Watch
Pulp FictionRoyale With Cheese
Dead ManI Am Nobody
Flirting With DisasterBeau Coplin
When I sat down last year to think about what I wanted to write about, my wife and I were going through serious discussions about whether to have a second child. We have a son and we were finally seeing the light at the end of the tunnel of figuring out how to have artistic careers, be present parents and still have enough money to feed our kid. A second child felt like an impossibility. Yet, we live in Brooklyn, where it seems like children are multiplying like rabbits. We felt the pressure to keep up and my wife felt incredible guilt about not wanting to have another child. Light bulb moment. I realized I hadn't seen a film that had captured that ambivalence and guilt about not wanting a child, and certainly not from the perspective of a strong, modern working woman, let alone a woman of color. I love films, but I certainly don't see many American films that have American characters that look like my wife and I, and the diverse group of friends that populate my life and my city. As much as I love Woody Allen, his New York 'aint my New York. Characters that look like me don't exist in his films. I'm guessing because characters like me don't exist in his life, and we often write what we know. The film came to life for me at that moment, and I knew I had a deep desire to tell a story about a South-Asian American couple living in Brooklyn, who were struggling with the question of family versus career; surrounded by friends, some of whom were having multiple kids and some who didn't want any. It felt personal. It felt urgent. It expressed a deep need for a story I wanted to tell and see, and that blank page soon filled to the very edges of the margins with the words that expressed that need.
It's been an amazing journey taking this short from the page to the screen. The minute I put out our Kickstarter campaign the response was overwhelming and we reached our goal in 10 days and far exceeded it by the end of our 30-day time allotment. We shot it fast and furious over four days and had a final cut in three months and premiered it this past March in Brooklyn. It was one of the most satisfying experiences of my life, and I have heard from so many people that have seen Time After that they were so compelled by the characters and wanted to know more about their lives. As a filmmaker your goal is to create characters and stories that resonate with an audience, and when you hear it said about your work, it is the ultimate compliment.
The artistic road is a long one. It's full of bumps and deep pitfalls. But the reward is great when you find a way to give something to the world that allows other people to feel more connected to the human experience. The filmmakers I admire and who inspire me spend their whole lives doing that. And I'll die a happy man if I can say I did that as well.
Watch the trailer for Time After.
Sanjit De Silva
Sanjit is a Broadway actor, playwright, director and proud husband and father who lives in Brooklyn. He started SilvaDollar Films to produce stories about the American experience that aren't seen in the mainstream. SilvaDollar Films strives to create stories about the people of color in America who often aren't the main character or focus in most films and television. Sanjit received his M.F.A. from New York University's prestigious Graduate Acting Program. Sanjit has his BA from Washington University in St. Louis, where he double-majored in Biology and Performing Arts and minored in Film Studies. His film school started with an internship in the development department at Spike Lee's company 40 Acres and a Mule, PA work on Summer of Sam and Man on the Moon, and was honed on the set of the many TV shows and films he has had the privilege of being a part of as an actor. SilvaDollar Films